|
Rina Kalai Ingber |
|
|
|
|
| |
|
Multi-faceted
artist -
works in acrylics,
oils, watercolor,
silkscreen,
etching and mixed techniques. |
|
Graduated
Oranim Seminary
College as Art Instructor with major in
painting
|
|
Graduated Ein
Hod Artists' Village School
|
|
Studied at
Betzalel Art Academy, graphic design faculty
|
|
Studied and
exhibited
at Etching
Workshop, Beit HaGefen Jewish – Arab Center,
Haifa
|
|
Taught art and
painting for 7 years in various
environments.
Worked 15 years as designer of
bridal wear. |
|
|
|
Rina "refound
herself" and painting two years ago after
being in a "deep freeze" for 20 years.
She is
Israeli-born, grew up in Kibbutz HaHotrim,
is married and has two grown children. |
|
|
|
"My way of
expression is related to my life biography.
I grew up in the
wide-open spaces of the kibbutz, located
between the Carmel Mountains and the sea. |
|
beliefs and
formulated values that determined the
"principles of the kibbutz".
My artwork allowed
me the space and freedom to express my
uniqueness. |
|
The subjects of
my work are mostly portraits, landscapes and
still life – though, full of life; revealed
to those with high sensitivity. I am
involved with observation of the world and
its people – they have always held my deep
interest; not as a reflection of the
obvious, but more the aspects hidden between
the lines, the wrinkles, the small flaws –
where time and circumstances have left their
mark. |
|
My portraits
are never "beautiful" or "real-looking"…I am
not interested in decoration. |
|
In the winding
journey of my life I am always in search of
my own identity and my "creative path."
This never-ending
search always shows through in my work.
The subjects in my
work are actually an excuse for the creation
of a puzzle of shades, form and colors." |
|
|
|
From "Days", a book of poetry I
wrote in memory of my brother, Yuval. |
|
|
|
The days are orange. |
|
Sometimes red with blood and dry
wine. |
|
With dead flesh.
Gray. |
|
And sometimes yellow, stretched as
a rope |
|
Shaking under the acrobat's feet |
|
And he is safe. |
|
For me the trembling is the
essence. |
|
If only it could be known to me,
too, |
|
That the final trembling will be
the end. |
|
They say that blue is a cold color |
|
And a cloud is gray, cold. |
|
At times the blue is revealed |
|
And in spite of things it soothes. |
|
At times cloudiness covers it all. |
|
|
|
Even though the landscape changes
people remain –
People. |
|
|